![]() I still have a memory a couple of years ago when we caught up in Amsterdam and you were telling me about the noise reduction feature an Audition and I’d I’d been previously cranking that out really high and getting that kind of fishtank or echo effect. I mean we hear advice from all corners on how to make audio sound great and best practices and great techniques. ![]() My next question is related to audio production advice. So it’s good to hear you say that as somebody who is right there at the coalface creating the product but actually you enjoy using it yourself and you do indeed use it in projects and that’s fantastic to hear. : That’s brilliant and the audio video integration between Audition and Premiere is just getting tighter and tighter. There were some places we could do things better that we really hadn’t considered before but that in the end I was just blown away at really how capable and usable Audition was especially when working so closely with a Premiere Pro project and the editing team on that film. And you know it certainly helped me realize that you know maybe where here and there. I went in sort of evangelizing Audition for the workflow to begin with and then had the opportunity just take it over and do most of it myself. They were a full Adobe workflow on their side. So I actually spent far more time than I expected last year doing a dialogue mix and the final mix as well as a theatrical surround mix and the Blu ray mix for a documentary that was produced here actually by folks who live just down the street from me and it was it was a pretty amazing experience you know. Last year about this time I realized that I hadn’t done a lot of actual usage in a while I’d really been just focused on the development and the features and all of that and I decided I needed to get get back into it. : Well you know actually that’s a good question. So first of all obviously outside of the development of the Adobe Audition app I’m curious to know how do you use Adobe Audition. His passion for audio go back to his early days of hacking CB radios and also eagerly listening for backwards messages in records of all genres. Durin Gleaves who has been wearing headphones on the Adobe Audition team since 2004 a lot of history with that fantastic audio editor. : My guest on the podcast today is the one and only the Product Manager for Audio at Adobe. That’s MRC dot fm slash W I N for a chance to win. ![]() There will be mini prize draws every month with a final gear give away taking place at the end of September. Head over to MRC dot fm slash win and enter now. This show is brought to you by the awesome audio gear giveaway if you’d like the chance to win my perfect audio creator studio setup. I will interview power users of this awesome audio editing software we’ll reminisce back to the Cool Edit Pro days through to the introduction of multi-track editing and bring you right up to date with Adobe Audition CC and features like the Essential Sound panel. Dragger, Walk, and other behaviors that would normally control limbs can fight with body tracking and create unexpected results.: Hey I’m Mike Russell from Music Radio Creative and welcome to the Adobe Audition podcast honoring 25 years of Adobe Audition. If the puppet has a Dragger behavior, consider disarming it. ![]()
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